Brian Beacom

Senior Features Writer

I've attempted for years to understand the human condition via the most fascinating of creatures: the fragile, often fearful actor. This exploration has manifested itself in the form of features, books and more recently 'comedy' plays, a medium in which I can plagiarise my own work to my heart's content - with little fear of legal redress.

I've attempted for years to understand the human condition via the most fascinating of creatures: the fragile, often fearful actor. This exploration has manifested itself in the form of features, books and more recently 'comedy' plays, a medium in which I can plagiarise my own work to my heart's content - with little fear of legal redress.

Latest articles from Brian Beacom

'I’ve always been fascinated by them' - Play tells unlikely story of pigeon fanciers

It’s fair to say the world of keeping pigeons is not seen by everyone as sexy. When we think of men and their doos (and it’s almost invariably men) we think of wartime misery, of s***-splattered crumbling huts and older blokes with bunnets gently pecking the mouths of creatures whom they’ve become overly fond of, perhaps even hypnotically controlled by. It’s also fair to generalise that those who keep doos tend not to be life’s extroverts, the types who in fact like to spend lots of quiet time in personal reflection.

I loved Maggie and I hated her, says Damian Barr

In his 2013 book, Damian Barr writes of growing up in Newarthill in North Lanarkshire, the son of a steel miner who lost his job in Ravenscraig. He was a Catholic in a Protestant community and a gay schoolboy at a time of Section 28 which shut down open conversations about homosexuality in schools.