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Anti-hero worship

With Johnny Depp in a cool black hat and thrilling tommy-gun shootouts, does Public Enemies set up a shrine to movie gangsters? Maybe so, admits director Michael Mann. By Will Lawrence

ALONG with the cowboy, the gangster has evolved into an icon of American cinema. For decades, countless B-movies have cast the Depression-era mavericks as near-mythological creatures, their exalted reputations often far removed from the seedy reality.