Conductor Robert Howarth was in jolly form and really made the music accessible for the audience, as he added little-known facts and musical hooks to the really quite drably-written programme notes.

With the sing-a-long nature it was a shame, however, that more tickets had not been sold.

Probably about half full, the vast space should have been fit to burst with revelling carollers, but instead it was the same old concert hall crowd, which was surprising as the presence of NYCoS could, and should, have brought in a more youthful following.

The first half started and finished with Handel, and Franck’s Panis Angelicus introduced tenor Iain Paton and provided the vocal highlight, although this was closely followed by a stylish solo verse of Once in Royal David’s City by a NYCoS soprano singer.

Mark O’Keeffe on trumpet performed Haydn’s popular Trumpet Concerto and a rousing rendition of Stanley’s Trumpet Voluntary. Welcoming Iain Paton back on stage for O Holy Night created another more reflective moment.

Vivaldi’s Gloria (opening chorus) opened the second half and the set dwindled a little with Schubert’s Ave Maria and Leopold Mozart’s Sleigh Ride; but the youngsters at NYCoS were on hand to lift the festive spirits with their prepared selection.

Culminating with a lively arrangement of Jingle Bells, it was great to hear their a cappella ability too.

With an encore of the 12 Days of Christmas and the big choral finish of We Wish You A Merry Christmas, it was surely impossible to leave without a light sprinkling of festive cheer.

Star rating: ***