The second album from his uncategorisable ensemble features some fine musical saw from cellist and regular collaborator Su-a Lee and the ornithological sounds of the island of Rona, north of Lewis, as sampled by the composer.
It is likely that if you gave Joe Acheson a dirty stick, half a pound of Brussels sprouts and a carburettor from a 1972 Austin Princess he'd contrive to make a fascinating-sounding album.
The second album from his uncategorisable ensemble features some fine musical saw from cellist and regular collaborator Su-a Lee and the ornithological sounds of the island of Rona, north of Lewis, as sampled by the composer.
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