Veteran of the Bevvy Sisters and a bunch of other combos that filtered trad influences, Lindsey Black has got around to making her first solo album, in the company of some of the Edinburgh folk you might expect (Donald Hay is on drums, Tim Matthew produces, Heather MacLeod sings back-ups).

But the best of it is undoubtedly Black herself. There is nothing wrong with the revisited Pollen song Cowboy Blues or the co-writes with guitarist Ady Powers (who adds some nice slide playing throughout), especially Shady Tree on which Kris Drever contributes stand up bass and vocals, but the tracks with the most Black are the best ones.

So the opener Bluegrass, which is replete with guests, is immediately outdone by the country pop of Love In The Wrong Time, on which she harmonises beautifully with herself, a technique that lifts the set wherever it is deployed.

If a publisher should be chapping her door for that one (and The Wonder Of You - not the Elvis song), the title track, Skies and Don't Walk By are a little more experimental and reveal a real command of what can be achieved in the studio, as distinct from in live performance.