Somewhat, but somehow still not quite broad enough.
The basic ingredients are sound: Macmaster's voice and lovely harp playing are the icing on an electronic cake mixed by percussionist Hay – a recipe they apply to traditional tunes, their own compositions, some Breton songs, one each from piper Fred Morrison and Peggy MacInnes, and Elvis Costello and Clive Langer's much-covered Shipbuilding. The last-named may not please fans of the song, because they play fast and loose with its clever structure, and Macmaster's phrasing of the lyric is idiosyncratic to say the least.





