And that's the thing about Scissor Sisters: although they want to crack the charts in the present, they're always most comfortable with one stilettoed toe in the past.
Consequently, Magic Hour opens on safe ground with the Old Eltonian piano vamp/Studio 54 disco stomp of Baby Come Home, before the New Yorkers get their party re-started by inviting a few names-to-drop round to their gaff. Azealia Banks brings an edge to the rap on Shady Love (before it collapses into a dad's cardigan of a chorus) while Calvin Harris's production on Only The Horses is patently evident in the hard but boringly repetitive metronome beat and cheesy Ibiza synth fanfares.





