The opening piece, Betrayed, takes its starting point from journalist George Packer’s 2007 article about the experiences of American employed Iraqi translators caught in the crossfire of mixed loyalties.
There’s a refreshing sense of intelligent anger in the first programme of the Tron’s new festival of politically engaged playwriting.
The opening piece, Betrayed, takes its starting point from journalist George Packer’s 2007 article about the experiences of American employed Iraqi translators caught in the crossfire of mixed loyalties.