Here were tragi-comic snapshots of a nation as a work in progress, its populace well-meaningly attempting to navigate multi-culturalism, diversity and whatever other government-sanctioned buzzword was on the go.
When Craig Taylor’s series of dramatic miniatures that inspired director Ros Philips’ stage adaptation first appeared as a weekly column in the Guardian newspaper between 2006-9, the exchanges depicted were so much more than mere slices of life.
Here were tragi-comic snapshots of a nation as a work in progress, its populace well-meaningly attempting to navigate multi-culturalism, diversity and whatever other government-sanctioned buzzword was on the go.
We moderate all comments on HeraldScotland on either a pre-moderated or post-moderated basis. If you're a relatively new user then your comments will be reviewed before publication and if we know you well then your comments will be subject to moderation only if other users or the moderators believe you've broken the rules, which are available here.
Moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours. Please be patient if your posts are not approved instantly.