There's fire in the belly of Grzegorz Jarzyna's contemporary war-zone set reimagining of Shakespeare, even before its final explosions signal the last gasp of battle.
There's fire in the belly of Grzegorz Jarzyna's contemporary war-zone set reimagining of Shakespeare, even before its final explosions signal the last gasp of battle.
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Neil Cooper
The rain and laughter of those liberated following the deposing of a once loyal general turned tyrant suggests a curse has been lifted and an entire country cleansed.
In the two hours build-up to this on Stephanie Nelson and Agnieszka Zawadowska's huge two-tiered construction, Jarzyna's TR Warszawa ensemble take a realpolitik approach to the play's sound and fury, with Macbeth a camouflage-clad major, who encounters, not three witches, but veiled goddess Hecate, who flatters his unspoken ambitions.
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