Winter, Again/Dreamers

Traverse, Edinburgh

Mary Brennan

FOUR STARS

Here's a chalk'n'cheese double bill from Scottish Dance Theatre (SDT) that really showcases the talents, versatility, and technical elan of the current company.

Jo Stromgren's Winter, Again has an off-kilter, tainted edge - his characters go stir-crazy when it snows - while the new SDT commission, Anton Lachky's Dreamers, has technicolour bounce and a larky comic energy akin to cartoon capers. In fact, both pieces click together neatly, for they both go under the skin, as it were, to pinpoint what's going on inside people's heads.

In Dreamers,for instance, Audrey Rogero comes over all "phwoar...!" when confronted by three bare-torso-ed men. Thoughts become actions as Rogero gleefully checks out physiques, from pecs to crotch, with a graphic interest that is hilarious - so much for her "demure miss in little white frock" appearance! What lies beneath the pale grey suit of Francesco Ferrari? A cross between a bossy-boots tyrant and the child who liked to play Simon Says - his "dream" is to make everyone follow his orders, even when he's talking in a gibber of nonsense syllables. It's anarchy, the kind we all imagine as an antidote to dull routine. Lachky sets it leaping, spinning and exploding into witty, mercurial movement against the ordered beauty of Bach, Vivaldi, Haydn, Chopin and Vanhal.

Lust is what seethes and corrodes the individuals in Winter, Again. Blood lust, where passing animals are killed for sport. Carnal lust, where couplings are urgent, loveless sport. A daily lust to be cruel, to be one-up, to be selfish or stupid because the dark nights and the snow cover up sins against nature and other people. Flagrantly dramatic, and yet Stromgren weaves dark humour into the acts of predation he sets to Schubert's Wintereisse.