Dance

YAMA, Traverse, Edinburgh

Mary Brennan

FOUR STARS

The dancers, glowing sweaty in the triumph of sustaining this extended version of Damien Jalet's Yama, had left the stage. Traverse One was emptying in a buzz of enthusiasm for Scottish Dance Theatre's thrilling alchemy on-stage. A woman slipped down to the front and brushed her hand along the vast minimal-mystical structure (designed by Jim Hodges) that spawns and swallows, re-births and then claims back, Jalet's mesmerising choreography of evolutions, myths and rituals. Even without the shape-shifting bodies that initially writhe from its core, this geometric "slice" of cratered mountain top compels the eye, and primes the imagination.

Jalet cites the Japanese monks (Yamabushis) who live in worshipful isolation in the sacred mountains as inspiration. However his eclectic curiosity draws in aspects from other cultures - the cascading horsehair wigs that shroud the naked dancers' faces are Balinese ceremonial - alongside imagery from the sciences that, like ancient and eclipsed religious rites, fascinate us, even as we struggle to comprehend their mysteries. Those tendriling, headless, limbs that slither into view from the off-centre "mouth" could be early plant-life. Clumped and humped together, they could be febrile amoeba, or - when separating and re-grouping - they could be the molecular building blocks of life itself. Gradually, as the soundscore weaves melody into its thrumming pulses, these hybrid forms morph into human beings. Standing erect, with wigs discarded and now wearing piebald-corded tunics, they are as much an exhalation of the landscape as the smoke that coils out of the core, accelerating their pounding, swirling trance dance. They came from the core...Jalet's fierce, powerful and spiritually intense vision returns them there. STD's indefatigable dancers have shown us life's endless cycle, in just an hour.