There's something deeply troubling at the heart of this double bill of solo plays by Simon Stephens, which say much about the nation's love/hate relationship with the capital city.
The first, T5, finds a woman in a hotel bedroom on the run from the crime scene she's just witnessed, but unable to flee completely from the responsibilities she's left behind. The second, Seawall, follows a shaggy dog story told by a man who seems to have everything, right through to the holiday accident that changed everything.
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