Mike Bartlett's contemporary version of one of the most unforgiving tragedies of all time is a curious beast.
On the one hand, this suburban English redux taps into tragically familiar stories of modern-day infanticide. On the other, gallows humour is at play which becomes a form of self-protection, as Rachael Stirling strides through her red-brick des res with the mono-maniacal fury of the original woman scorned.
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