Last October, this was a work-in-progress at the Arches.
A year on, Dudendance returned with a new version of the work, tailoring it to suit the dank chill of the Glue Factory. The film noir sub-stories were stripped out, leaving the nameless, faceless threat of black-clad mutants – lumpen, mis-shapen forms with robotic gait – to invade the dim-lit rooms, like vengeful escapees from some war-based video game.
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