The popcorn handed out to the audience on the way in to see Made in China's two-handed dissection of happiness is as playfully deceptive as everything that follows.
The black-clad young woman standing atop a platform licking an ice lolly who greets us similarly wrong-foots any implied fun and games. Over its 50-minute duration, however, Tim Cowbury's script morphs into an increasingly manic and unreliable memoir of apparently shared experience in search of meaning.
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