I do not know whether it amused the late George Wyllie (although most things did), but it is passing strange that artists are now admired for working across different disciplines where such behaviour might have been dismissed as identifying a dilettante but a short while ago.
A lone piper in full Highland regalia on Martin Creed's Scotsman Steps in Edinburgh underwhelms passers-by with his mournful dirge, before becoming Elvis.
I have no wish to take any sort of credit for the idea, but regular readers of this weekly bulletin from the frontline of arts advocacy will have been as delighted as I was to read in Tuesday's Herald that the new president of RGI (the Royal Glasgow Institute of Fine Arts) has her eye on the McLellan Galleries for a showpiece exhibition in 2014 when the athletes are in town.
Lifting the hem of his slightly grubby, seriously creased T-shirt, Wolfgang Tillmans moves forward to rub away a hardly visible smudge on the glass frame of the photograph in front of me.
Scottish artist David Band's bright and painterly work adorned some of the bestselling records of the 1980s, while his design studio gained him access to the hippest fashion circles.
Glasgow Sculpture Studios might be in the process of rebirth, as they move into new premises in a former whisky bond by the canal at Speirs Lock, but their first exhibition is from an artist preoccupied with death.