It has perhaps taken the death of two of the people whose memories were crucial to the story of Glasgow’s Third Eye Centre to precipitate a proper look at the legacy of institution that brought the best modern art into the lives of people in the city, and was critical to what is now described as “The Glasgow Miracle” and the city’s global status as a breeding ground for prize-winning artists.
Billy Connolly performs at The Third Eye Centre during the John Byrne exhibition. Photo: from the George and Cordeila Oliver Archive
