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Howson's Crucifixion will never fit the Dali frame

Although they all tired of it quickly, the New Glasgow Boys label applied to Steven Campbell, Ken Currie, Peter Howson and Adrian Wiszniewski was more than a useful marketing tool.

Of the same generation and GSA training, all four were figurative artists with a gift for the fabulous, whether dark or light. Exhibited together in the 1980s, they made coherent sense – especially to untrained eyes – in a way that, say, the YBAs of Goldsmiths did not.

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