WRITING in 1916, Edward Thomas uses the metaphor of a deep forest to explore his vision of sleep. It is a tranquil enough poem, though with an undertow of sadness - for the reader if not for the poet himself – for he was killed the following year in the first hour of the Arras offensive.
LIGHTS OUT
I have come to the borders of sleep,
The unfathomable deep
Forest, where all must lose
Their way, however straight
Or winding, soon or late;
They can not choose.
Many a road and track
That since the dawn’s first crack
Up to the forest brink
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends –
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends, in sleep that is sweeter
Than tasks most noble.
There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter, and leave, alone,
I know not how.
The tall forest towers:
Its cloudy foliage lowers
Ahead, shelf above shelf:
Its silence I hear and obey
That I may lose my way
And myself.
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