Vamp (18)

Arrow Video, £12.99

The extras on this re-issue of Richard Wenk's 1986 comedy horror are almost as entertaining as the film itself, and for the same reason: Grace Jones. Thirty years on, the cult singer, fashion muse and ex-Bond girl didn't consent to be interviewed but the recollections from Wenk and actors Chris Makepeace, Richard Rusler and Dedee Pfeiffer (younger sister of Michelle) are priceless.

Pfeiffer recalls how Jones would always turn up on set with her vibrator, often surrounded by an entourage that included Andy Warhol and painter Keith Haring. And, though she doesn't actually have any lines, Wenk remembers her arriving to re-record her screams and yells wearing a metal suit that jangled every time she moved. When he told her what the problem was, she immediately stripped and performed naked.

The plot itself turns on college boys Keith (Makepeace) and AJ (Rusler) and their boast to members of a fraternity they're hoping to join that they can arrange a couple of strippers for a frat house party. Heading into New York with a copy of the classified ads they wind up at The After Dark Club which, it transpires, is peopled almost entirely by vampires. Almost but not quite: new waitress Allison once played spin-the-bottle with Keith and has had a crush on him ever since. And so the stage is set for one of those innocents-versus-ancients face-offs which are a staple of teen horror flicks.

It's all screamingly silly and the plot is utterly preposterous (though not so preposterous that parts of it doesn't get rehashed a decade later in Robert Rodriguez's Quentin Tarantino-scripted From Dusk Til Dawn). But it's worth watching for the cinematography and the set design. In the use of coloured lights and neon there are nods to French cinema's Le Look movement, and to the stagey 1980s films Francis Ford Coppola made at his Zoetrope Studios. And of course there's Grace Jones to gawp at too. She plays Queen Katrina, the chief vampire, and her film-stealing scene comes in a three minute section where she grinds and bumps her way through a twisted burlesque routine wearing a bright red wig and very little else.

The Founders (E)

Spectrum, £17.99

Although not the oldest women's golf organisation - the Ladies Golf Union, which oversees golf in the UK and Ireland, was founded in 1893 - America's Ladies' Professional Golf Association (LPGA) gave female professional golfers the chance to make money through the sport at a time when it was booming in the US. This documentary, which screened at the Edinburgh International Film Festival earlier this year, tells the story of the 13 women who founded the LPGA in 1950, and interviews the four of them who are still alive: Marilynn Smith, Louise Suggs, Shirley Spork and Marlene Bauer Vossler, who was 16 at the time. Augmented by some terrific footage, it's a tale of bitter rivalries, inequalities in pay, sexism and, when the first black player comes into the tale (the frankly awesome ex-Wimbledon champion Althea Gibson), racism too. Staying true to their all-for-one-and-one-for-all ethos, the colourblind LPGA members boycotted any club that wouldn't let Gibson use its facilities, just one of many inspiring stories in Charlene Fisk and Carrie Schrader's fascinating film.

The Legend Of King Arthur (PG)

Simply Media, £19.99

The Justice Game: Series 1 & 2 (15)

Simply Media, £19.99

First broadcast on BBC One on October 7 1979 (in the Sunday teatime slot, just before Roots), The Legend Of King Arthur has been pretty much unavailable since a video re-issue in the mid-1980s. A pity: the eight-parter is a pretty decent adaptation of the Arthurian legend, despite the terrible haircuts and the occasional wobbly set. Fans of Game Of Thrones will find plenty to enjoy - there are uncanny similarities between Mark Addy's boorish, bearded, booming Roberth Baratheon and Brian Coburn's boorish, bearded, booming Uther Pendragon - and star spotters will chuckle at the sight of an 11-year-old Patsy Kensit playing the young Morgan le Fay. But mostly the appeal comes from the story itself, which is always entrancing, and from the script - an early outing for none other than Andrew Davies, the man behind a dozen lavish period adaptations including this year's smash hit, War And Peace.

Written by John Brown and directed by Norman Stone, four-parter The Justice Game couldn't ever be called a classic. But those who divide Glasgow's recent history into before and after the 1990 European Capital of Culture celebrations will find much to savour in the 1989 crime thriller, shot against the background of a city on the cusp of great change. Denis Lawson plays cocky lawyer Dominic Rossi, just back from New York, with Brideshead Revisited star Diana Quick playing his sort-of girlfriend. Michael Kitchen and James Cosmo are the bad guys he ends up investigating. Look out, too, for appearances by Dorothy Paul, Stuart Davids, Celia Imrie, Russell Hunter (though he's knifed to death about 15 minutes into episode one) and Still Game's Jake D'Arcy. And if you're watching with the subtitles on (the sound's a little muddy at points) you'll love seeing the Sarry Head translated as “Sahara heat”, Sauchiehall as “sucking the whole” and the Bar-L as “far L”, which makes it sound like a ranch in a John Ford western. In series two the action moves to Italy, so at least the weather improves.