Brian Molley Quartet

Colour and Movement

BGMM

THE COLOUR and movement mentioned in the title are articulated in twelve tracks embracing twelve different keys and a variety of time signatures but forget technical detail, this is music that communicates through its sheer attractiveness.

Saxophonist Brian Molley came late to recording, releasing his first album, Clock, in 2013 after many years of concerts, sessions and theatre work, and this second instalment from his quartet finds him creating similarly luxuriant melodies, dancing metres and warm atmospheres with the benefit of the group’s foreign travels and gigging experience as a unit.

The Pushkar Push evokes a camel festival they encountered in India with its slow, relaxed rhythm. Picayne Slinky has drummer Stuart Brown fashioning a crisp New Orleans accent and features a typically creative piano solo from the increasingly impressive Tom Gibbs, and bassist Mario Caribe switches to guitar for the flute-led Brazilian sashay of A Borboleta.

Molley himself is marvellous, always expressive and absolutely sure-footed. Superb readings of Charlie and the Chocolate Factory ballad, Cheer Up Charlie, a disguised That Old Black Magic and a reed chorale take on Ellington’s Solitude offer known quantities, but Molley’s brilliantly written originals will quickly become just as familiar.

Rob Adams