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Eva Arrighi

Group Fashion Editor

My career in media began when I came to do a week-long work experience stint on the fledgling Sunday Herald Magazine in May 1999 and never left. This could be attributed to my intimate - if sometimes useless - font of knowledge about all things Star Wars and American Vogue, which finally bore fruit with a feature idea; an ability to tidy up when all others were too knackered to do so; and my winning way with a pack of biscuits whenever spirits are flagging. Working on the fashion pages for the Sunday Herald and subsequently The Herald Magazine has allowed me to play with European barn owls in the depths of Roslin Chapel – on Halloween; apologise to a team of firemen in Belladrum (who had a lovely vintage engine) for strange goings on in the woods way past bedtime;  jam diamond necklaces into tatty drawers because they look good like that; and divvy out bottles of vodka in lieu of location fees to farmers in deepest rural Poland. Still smitten, I'm continuing to freeze beautiful girls for a living – and like nothing more than indulging my somewhat obsessive love of glossy monographs on photography, fine art and cinema even though I have no room left to store them.

My career in media began when I came to do a week-long work experience stint on the fledgling Sunday Herald Magazine in May 1999 and never left. This could be attributed to my intimate - if sometimes useless - font of knowledge about all things Star Wars and American Vogue, which finally bore fruit with a feature idea; an ability to tidy up when all others were too knackered to do so; and my winning way with a pack of biscuits whenever spirits are flagging. Working on the fashion pages for the Sunday Herald and subsequently The Herald Magazine has allowed me to play with European barn owls in the depths of Roslin Chapel – on Halloween; apologise to a team of firemen in Belladrum (who had a lovely vintage engine) for strange goings on in the woods way past bedtime;  jam diamond necklaces into tatty drawers because they look good like that; and divvy out bottles of vodka in lieu of location fees to farmers in deepest rural Poland. Still smitten, I'm continuing to freeze beautiful girls for a living – and like nothing more than indulging my somewhat obsessive love of glossy monographs on photography, fine art and cinema even though I have no room left to store them.

Latest articles from Eva Arrighi

Margo Robbie in Chanel at the 2018 Oscars (Photo: Jordan Strauss/Invision/AP)

Oscars 2018 Hollywood Red Carpet Gallery

Following an awards season in which actresses wore black to The Golden Globes and Baftas in support of the Time's Up movement all eyes were on Hollywood's A-List to see if political statements would again dominate the red carpet ensembles or if they would ring loud and clear in the ceremony and speeches. 

Nicole Kidman attending the 2018 Golden Globes Credit: Getty

Golden Globes: The Women In Black

In a symbolic show of solidarity with victims of sexual harassment and the Time’s Up movement Hollywood's female (and male) A-list donned black for the red carpet

Outfit 1: Ivory cotton blend open neck knit, £79, Jigsaw. Navy and yellow citrus print skirt, £79, Hobbs. Caramel embossed leather courts, £139, Hobbs 

West End Girl

Take a nostalgic stroll down memory lane in gingham, citrus prints, crisp shirting and relaxed knitwear

Outfit 1: Cream and black paint stroke print dress, £335, Max Mara Studio at House of Fraser, Glasgow

In A Big Country

The summer safari trend allows you to go wild with bold prints, linens and drill cotton