Into the Woods (PG)

four stars

Dir: Rob Marshall

With: James Corden, Meryl Streep, Emily Blunt

Runtime: 125 minutes

CONFESSION time: Sweeney Todd apart, I was something of an ignoramus in the woods when it came to Stephen Sondheim. No funny thing had happened to me on the way to the forum, a little night music played but not to my ears, and merrily I did not roll along.

But after seeing this Disney version of the hit musical, I am a believer. Such is the joy to be had from this film version of the Tony Award-winning play by Sondheim and James Lapine.

The story throws several fairy tales - Cinderella, Rapunzel, Jack and the Beanstalk, Little Red Riding Hood, to name a few - into a heady brew stirred by Meryl Streep's wicked witch. The baker and his wife (James Corden, Emily Blunt) want a child, Cinderella (Anna Kendrick) desires love, Jack (Daniel Huttlestone from Les Mis) wants money, and so on. Into the woods they all must go, but what or who is lurking there?

There is a delicate point in any musical drama where the project swims or sinks like a brick, and that is when the characters open their mouths and do something unusual - to wit, sing. Some directors like to ease their way gently to the moment so as not to alarm the audience. Not Marshall, helmer of the Oscar-winning Chicago. He and his cast start at 100 mph and rarely let their foot off the pedal thereafter. What results is funny, surprising, and ultimately moving thrill ride, with the only downside that it warbles on for far too long. If not a fan of musicals, make that way, way, way too long.

It is not a surprise that the likes of Kendrick (Pitch Perfect) can sing beautifully and find her way around a lyric, nor is it a jaw-dropper that Corden is funny, or Streep can magic up a dramatic storm. But put all this together, and add some genuine delights, such as Chris Pine's supremely vain comedic prince and Emily Blunt's madcap baker's wife, and Into the Woods delivers on many fronts. Every line is exquisitely crafted, the action rockets along, and at the heart of everything is the music - complex, rousing, straight to the head and heart stuff. Hard to choose a favourite performance, but Blunt just about edges it. Magical.