THE new Paul Ferris biopic The Wee Man certainly holds its own as yet another slice of Glasgow criminal life, the narrative being driven along nicely by the central character's unswerving determination to drive kitchen knives into every unprotected part of the human anatomy.
THE new Paul Ferris biopic The Wee Man certainly holds its own as yet another slice of Glasgow criminal life, the narrative being driven along nicely by the central character's unswerving determination to drive kitchen knives into every unprotected part of the human anatomy.
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by brian beacom
But the impact of the screen violence forces the question: can Glasgow not produce a love film? Will our cinemas ever offer more than Neds, or films featuring reforming neds such as The Angel's Share? Do film makers not consider we, as a nation would love our own boy-meets-girl, boy-loses-girl, boy-finds-girl trope?
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In praise of - LOVE STORIES.
THE new Paul Ferris biopic The Wee Man certainly holds its own as yet another slice of Glasgow criminal life, the narrative being driven along nicely by the central character's unswerving determination to drive kitchen knives into every unprotected part of the human anatomy.
But the impact of the screen violence forces the question: can Glasgow not produce a love film? Will our cinemas ever offer more than Neds, or films featuring reforming neds such as The Angel's Share? Do film makers not consider we, as a nation would love our own boy-meets-girl, boy-loses-girl, boy-finds-girl trope?
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We moderate all comments on HeraldScotland on either a pre-moderated or post-moderated basis. If you're a relatively new user then your comments will be reviewed before publication and if we know you well then your comments will be subject to moderation only if other users or the moderators believe you've broken the rules, which are available here.
Moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours. Please be patient if your posts are not approved instantly.
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