Film director.
Born: July 28, 1920; Died: August 30, 2014.
Andrew V McLaglen, who has died aged 94, was the last surviving director who worked regularly with the actor John Wayne, beginning their working relationship when he was a production assistant on Dakota almost 70 years ago and going on to direct several of his later films.
His father was the Oscar-winning actor Victor McLaglen and McLaglen Junior could remember him filming with Marlene Dietrich and Douglas Fairbanks Jr.
He worked his way up through the ranks and was assistant director on the classic comedy-drama The Quiet Man (1952), directed by John Ford and starring Wayne, known within the business as Duke, Maureen O'Hara and McLaglen's father.
"One of the first scenes that we shot was the scene when Wayne pulls Maureen through the fields," McLaglen recalled in one interview.
"I went over to Ford and said, 'Do you think we ought to clean up that sheep dung before Duke pulls Maureen through it?' 'No,' he says, 'leave it!'."
Wayne helped McLaglen get going as a director a few years later and McLaglen directed Wayne in five films, including McLintock! (1963), Hellfighters (1968) and Chisum (1970).
McLaglen also directed almost 100 episodes of the classic western TV series Gunsmoke (1956-65) and four films with James Stewart, most notably the American Civil War epic Shenandoah (1965).
He worked with such legendary names as Roy Rogers, Charlton Heston, Kirk Douglas, David Niven and Rock Hudson. And his death marks the breaking of a link with Old Hollywood, and a studio system that is now largely confined to history books.
Andrew Victor McLaglen was born in London in 1920, but within a few years the family had relocated to California. His father, whose career began in the silent era, tried to discourage him from following him into the movie business and the Second World War delayed his plans slightly.
At 6ft 7ins, McLaglen was considered too tall for military service and worked for the aircraft company Lockheed. He found time to appear in a couple of films as an actor and in 1945 he got a job as a production assistant with Republic Pictures.
John Wayne, whom he had known since childhood, took him under his wing and in 1953 gave him a job at his own film company. Wayne subsequently guaranteed the funding for McLaglen's directorial debut, a low-budget crime drama called Man In The Vault (1956).
McLaglen worked mainly in television in the late 1950s and early 1960s, directing such shows as Gunsmoke, Have Gun: Will Travel, and Rawhide. He said: "CBS put me under a 52-week contract. It was a great training ground."
Wayne played a significant role in his return to the big screen as a director with the comedy western McLintock! It was made by Wayne's company, starred Wayne and was a major hit, as was McLaglen's next film Shenandoah.
Whereas McLintock! was a comedy, Shenandoah was a deeply moving portrait of one family torn apart by the Civil War.
These early successes suggested McLaglen might have an outstanding cinema career ahead of him, but later work was solid rather than spectacular.
He repeatedly worked on westerns with Wayne and Stewart in the 1960s and 1970s, but he was never considered an auteur like John Ford, whose name was almost synonymous with the genre.
Asked by one interviewer how he chose projects, McLaglen said studios would send him a script and make him an offer. He maintained that he had no special liking for westerns and never intended to specialise in them, it just worked out that way.
He established a reputation for reliability, bringing films in on time and budget. Producer Darryl Zanuck put together the 1968 western Bandolero! on the strength of the headline cast of James Stewart, Dean Martin and Raquel Welch, a six-page story outline, and McLaglen as the man who could pull it all together.
He did have some success with war films too, including The Wild Geese (1978), with Richard Burton, Richard Harris and Roger Moore.
In the 1980s he directed sequels to The Dirty Dozen and Bridge on the River Kwai, before retiring to San Juan Island in Washington State, where he was active in community theatre.
Three marriages ended in divorce and his fourth wife predeceased him. His three children followed him into the film industry and his son Josh McLaglen was one of the producers of Avatar and recent X-Men movies.
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