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Lesley Duncan

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  • BULLFINCH

    At the Pillar of Hercules cafe

    He hops, coal-eyed onward to the crumbs

    Organic cake or not they are all his

    A brilliant March sun casts him in gold

    Before he lifts away -- a small ink-swirl

    Flying above the hedge toward West Lomond

    His intensity is the meat of spring

    His departure the briefness of it all.

     

    THE TREE O BELLS

    Is atween the twa Lomond hills

    Thae are the prood sodgers o Fife starin

    At Edinburgh's lack o work

  • But the first section is a gem in itself with its delightful description of our northern spring.

     

    from LAMENT OF MARY QUEEN OF SCOTS ON THE APPROACH OF SPRING

     

    Now Nature hangs her mantle green

    On every blooming tree,

    And spreads her sheets o' daisies white

    Out o'er the grassy lea:

    Now Phoebus chears the crystal streams,

    And glads the azure skies;

    But nought can glad the weary wight

    That fast in durance lies.

     

  • MAP

    MAP

    Not long after the war

    we would stand by the frosted glass

    of the landing window, tip-toe up,

    press our noses against the cold pane,

    let it mist over

    with the silences of the time,

    the damp patch on the ceiling

    could have been someone's hurried attempt

    at a map of the world

    where The Strait of Gibraltar seemed in perfect scale

    with a squiggle that was Britain

    and the black vastness of Russia where the water was heaviest,

  • What better excuse for airing Alastair Reid's acerbic perspective on the mind-set of his countrymen and women when faced with beauty and light (from Weathering, Canongate, 1978)? As well as a poet, Wigtownshire-born Reid is known as a distinguished translator, traveller, and frequent contributor to the New Yorker magazine.

     

    SCOTLAND

     

    It was a day peculiar to this piece of the planet,

    when larks rose on long thin strings of singing

    and the air shifted with the shimmer of actual angels.

  • THE SPLENDOUR OF THE GIANT PANDA

    Not for me the splendour of the giant panda

    when I can gaze on an animal far grander.

    One who can match your white and black

    and more than happy to give something back.

    A beast removing the burden of hunger and strife

    with its every day presents essential for life

    while you sit milking the cult of cuddly and cute

    just a trumped up small bear stinking of shoots,

    expecting your public to queue up to see

  • This poem featured in volume 28, winter/spring 2012. Catherine Tufariello has been a Los Angeles Times Book Prize finalist.

     

    THE SILL OF THE WORLD

    (On first reading Richard Wilbur)

     

    She wakes up happy, not remembering why,

    A convalescent, light, in cool white sheets.

    Sheers curtains fill their bellies with blue sky.

    The sun-struck window opens on the street's

     

    Chiaroscuro shimmer, piles meringues

    Of clouds, gray squirrels haranguing in the eaves,

  • Gerry Cambridge's new collection, Notes for Lighting a Fire (HappenStance, £10), is marked by a sensitive response to nature, human relations and the world of industry. The book's elegant design and typography complement the quality of the writing.

     

     

     

    A scraggy tree of improbable song

    at Hamilton's crazy bus station,

    fresh from Africa

    to a Lanarkshire spring

    set something off in the back of my mind

    over unnoticing faces.

     

  • It can be found in the splendid Oxford Book of Twentieth Century English Verse, chosen by Philip Larkin with new foreword by Andrew Motion (18th impression, 1997). In his day, Phillpotts was a popular and prolific novelist and playwright as well as a poet.

     

    THE HOUSES

     

    Forlorn and glum the couples go

    While Capital and Labour fight.

    For lack of homes they can't unite

    And love says 'Yes,' the builders, 'No.'

     

    Yet, troubling not for time nor rest,

  • Is there a transatlantic hint in all the talk of congresses and caucuses? And of course precentors put in a brief appearance. Cruickshank's wit and humour, in English and Scots, are well demonstrated in her Collected Poems (Reprographia, 1971) as well as other volumes.

     

    CAWS AND CAUCUSES

     

    I

     

    In elm-trees nou the caws are thrang

    Wi' gab and bicker up abune,

    But eident to their darg they gang

    In elm-trees. Nou the craws are thrang

  • These charming lines are taken from a longer piece in his posthumous volume, Following a Lark.

     

    SCHOOL (from DAFFODIL TIME)

     

    In the island's school

    The children's heads

    Are like green sheaths that will open soon.

    And one of the seven shadows

    Has left Mr McSween's face.

    A lark glitters out song along the lift of the hill

    And the bird

    Is louder today than the chanted

    Multiplication table.

    And the globe of the world

  • However, he could turn his hand to Scots most deftly, as this playful piece from A Book of Lives (Carcanet, 2007, £9.95) demonstrates.

     

    QUESTIONS 1

     

    If mony a pickle maks a puckle

    Does mony a mickle mak a muckle?

    If we are aw Jock Tamson's bairns

    Whit's the pynt o biggin cairns?

    If yir face is trippin you

    Zat mean it's really cripplin you?

    Let that flee stick tae the waw -

    Wull it no come aff an aw?

  • Here is its closing section.

     

    CONNECTING CULTURES

     

    Communication can mean correspondence,

    Or a connecting passage or channel, can mean

    A means of imparting and receiving information such as

    Speech, digital media, Facebook, the press and cinema.

    Communications can mean means of transporting, especially Troops or supplies.

    Commonwealth means

    A free association of independent member nations bound by

    Friendship, loyalty, the desire for

  • "The empty thingless name" withholds its identity in these enigmatic lines which treat both the poet's (voluntary or involuntary?) loss of memories and his response to spring and the urgent song of thrushes.

     

    THE WORD

     

    There are so many things I have forgot,

    That once were much to me, or that were not,

    All lost, as is a childless woman's child

    And its child's children, in the undefiled

    Abyss of what can never be again.

  • His apparently simple words and rhymes convey a complexity of meaning and emotion. The piece can be found in last year's new and revised edition of Smith's New Collected Poems (Carcanet, £18.95).

     

    OLD FOLKS' PARTY

     

    They all wear paper crowns

    at the Old Folks' Do,

    these proper kings and queens

    (and nobler than them too).

     

    Some have wounds sharp and deep

    and will switch the cold light on

    to silent living rooms

  • This early piece by the Northamptonshire nature poet is full of fresh imagery and a delight in the season, tempered only by his poverty, and even then there's a final lightening of mood. My pocket copy of Clare's poems (published in 1950 by Routledge and Kegan Paul) is prefaced by a portrait of the poet by William Hilton RA, painted around the time of the poem's composition. It shows a young man of great refinement and sensitivity of feature; sadly he became mentally unstable in his later years.

     

    APPROACH OF SPRING

     

  • Its mixture of delight in spring and reflectiveness has charmed generations of readers, young and old.

     

    I WANDERED LONELY AS A CLOUD

     

    I wandered lonely as a cloud

    That floats on high o'er vales and hills,

    When all at once I saw a crowd,

    A host, of golden daffodils;

    Beside the lake, beneath the trees,

    Fluttering and dancing in the breeze.

     

    Continuous as the stars that shine

    And twinkle on the milky way,

  • Here are some random thoughts on the matter (mater?), penned a few years ago, but I hope still valid.

     

    MUM'S THE WORD

     

    It can't be bad, just once a year,

    To spoil and treat your mother dear

    With tea in bed or floral posy

    And make her day completely rosy.

     

    You take for granted all her fussing,

    Extended freely, without cussing

    The endless laundry and the noise

    Of diabolic war-game toys,

     

  • The lines comes from Island, his Collected Poems (Saint Andrew Press, 2009).

     

    ARGYLL

     

    All down the coast

    The air was full of fish and sunset.

     

    By nine, the lemon-coloured cottages

    Were warm windows glowing over the bays.

     

    Far west the light a rim of blue and white,

    Jura and Mull and Scarba all carved from shining.

     

    On the way home we stopped to listen to the dark,

  • The moral may be the futility of trying to hoard and hold onto the past.

     

    DECLINE AND FALL

     

    In Easter Road, the family house

    drowsed through the summers of a century.

    Paint blistered and burst

    through long, somnolent afternoons.

    Grasses waved in the garden.

    Trains came and went.

     

    The drawers of the mahogany tallboy

    were crammed with documents,

    photographs and letters bound with tape:

  • Andrew Young brings classical allusions to bear in his almost mystic response to them. The lines come from his Selected Poems (Carcanet, 1998).

     

    THE ARCHAEOLOGIST

     

    Although men may dig up

    A broken Bacchus with a vine-wreathed cup

    Or helmeted chryselephantine goddess;

    Though Aphrodite divine and godless,

    Helped by a rope, rise from the sea,

    None is immortal but Persephone.

     

    See, by an English lane

    Cold Hades lets her rise again.

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Name

Lesley Duncan

Job Title

Poetry Editor

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