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Archbishop Conti on the rebirth of Glasgow’s St Andrew’s Cathedral

The grey-painted plaster that hid its inherent grandeur for almost 200 years has disappeared, and Glasgow’s first post-Reformation Catholic church, on the banks of the River Clyde, has gone from gloomy to glorious.

Its soaring fluted stone pillars and arches have been carefully reworked in imitation ashlar to look like sandstone, their elegant sweeps highlighted in glorious 32.5-carat gold leaf, and with blue, white and green decorative paintwork.

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