When Germaine Dulac premiered his film The Seashell and the Clergyman in 1928, playwright Antonin Artaud, who penned the half-hour short's original scenario, is said to have heckled the screen, going so far as to call its director a "cow".
When Germaine Dulac premiered his film The Seashell and the Clergyman in 1928, playwright Antonin Artaud, who penned the half-hour short's original scenario, is said to have heckled the screen, going so far as to call its director a "cow". If such confrontational behaviour sounds like a precursor to punk's assault on culture half a century later, a new score to the film by former Siouxsie and the Banshees bassist Steven Severin is all too appropriate.
When Germaine Dulac premiered his film The Seashell and the Clergyman in 1928, playwright Antonin Artaud, who penned the half-hour short's original scenario, is said to have heckled the screen, going so far as to call its director a "cow".