Nearly 20 years after Gainsbourg drank himself to death in Paris, the country remains mesmerised by the memory of a man seen widely as both an inspirational wordsmith and the epitome of romantic Gallic cool.
France’s obsession with its late bad-boy of song, Serge Gainsbourg, has reached new heights with the release of a flattering new biopic that does little to challenge his image as the ultimate poetic anti-hero.
Nearly 20 years after Gainsbourg drank himself to death in Paris, the country remains mesmerised by the memory of a man seen widely as both an inspirational wordsmith and the epitome of romantic Gallic cool.