Chris Dolan's translations of comic shorts from Spain have become an irregular fixture of A Play, A Pie and A Pint's ongoing seasons of lunchtime theatre. They have not been particularly remarkable, more one-line joke diversions than anything substantial. This latest double is no exception, though both in different ways display a satirical depth at their essentially madcap heart.
Chris Dolan's translations of comic shorts from Spain have become an irregular fixture of A Play, A Pie and A Pint's ongoing seasons of lunchtime theatre. They have not been particularly remarkable, more one-line joke diversions than anything substantial.
