Theatre

A Change in Management

Oran Mor, Glasgow

Mary Brennan

***

IF THERE was an Olympic Platinum Medal for jumping to conclusions, then Lydia - part of the management team in an Edinburgh warehouse - would be the outright winner. By rights, Lydia (Nicola Roy) shouldn’t have answered the manager’s phone - or opened his emails. But assistant manager Lydia tends towards self-importance, so she does both and learns that an (unseen) employee is - apparently - a sex offender.

One accusing e-mail is enough to send Lydia into a veritable frenzy of righteous outrage. By the time office manager Billy (an affably bumbling Steven McNicoll) arrives, Lydia has branded the employee a ‘paedo’ and is demanding his immediate dismissal. Billy’s more cautious approach - he phones human resources for procedural advice - sends Lydia’s voice several degrees up the stridency scale. So too does the fair-minded, liberal thinking of the younger, clearly better educated Mary (Helen MacKay) whose online searches discover important facts that contradict Lydia’s claims.

David Gerow’s play - his first-ever fully professional production - certainly catches a very topical tiger by the tail, in terms of laying out almost-unreconcilable issues of moral judgment, social conscience, prejudice and proof (as opposed to accusations and suspicions). Moreover, with director Tony Cownie navigating the cross-currents of ugly realities and farcical extremes, Gerow risks spinning his themes into a comedy of dire consequences. We shouldn’t laugh, but we do.

We laugh at hapless Billy, digging himself into a hole on local radio, as he tries to explain away the distinctly brutal ‘incident’ that resulted from Lydia’s rabble-rousing among the work-force. We even laugh at how silly and shrieking Lydia is, with her blinkered campaign against the ‘paedo’ she is determined to get sacked. By the end, there are sackings. Other people cop the flack and the fall-out from Lydia’s actions and opinions - undeserved outcomes that really are no laughing matter.