The last decade has seen many changes for top hairdresser Rita Rusk.
Ann Donald meets her in her Ayrshire mansion and finds a collection of
treasures gathered from around the world
THE number of people who can boast of their home's inclusion in the
lush coffee-table book Mansions and Castles of Ayrshire would be a
rather exclusive circle, one imagines. From this elite group, the number
of hairdressers who can pride themselves on a write-up in said book must
be a rare species indeed, but that's exactly the category top Scottish
hairdresser Rita Rusk falls into.
After leaving school in the sixties, the ambitious Rusk launched
herself into the world of hairdressing, eventually setting up her own
successful partnership with first husband Irvine in their West Nile
Street salon in Glasgow. The last decade -- or ''my second life'' as the
stylish and genial businesswoman puts it -- has witnessed the
establishment of Rita Rusk International Hairdressing School, a new
partnership with her sister, a new husband, worldwide seminars and
exhibitions, and a change of address from deepest Lanarkshire to deepest
Ayrshire.
It is in the latter spot we find ourselves, trundling, albeit very
comfortably, in her sturdy Range Rover, up the half-mile-long muddy
driveway paved in autumn leaves to Chez Rusk. Surrounded by 17 acres of
awe-inspiring pastoral land and views that photographer Colin Baxter
would crawl on hands and knees to capture, is the eighteenth-century
mansion replete with Greek Doric columns framing the front door. This is
home sweet home to the extended Rusk family of stepsons, mother-in-law,
and a steady stream of house guests who inhabit the 14-room abode on a
regular basis.
With the gardener busy trimming and pruning outside and the
housekeeper bustling about in the kitchen, we head into the sitting room
to discover ''The Rusk Collection''. A self-confessed magpie and
lifelong collector who finds it impossible to throw anything out, Rusk's
home, and specifically this vast sitting room, has become an incredible
repository of objets d'art that testify to her inveterate yen for
travel. If they continue to accumulate at their present rate, the
Ayrshire mansion could well find itself on the cultural map as a
satellite branch of the Burrell Collection.
Framed against the dusky-pink painted walls and three large windows
and fettered by blinds or curtains are a fascinating collection of
paintings, sculptures, books, and objects that embrace every style from
art deco to avant-garde and originate it seems, from any country you
care to stick a pin into on Bartholomew's world map. Here is where a
collection of six little models of Barbados river police share the same
space as an original art-deco lamp from New York, a wooden warrior from
Kenya and an original Craig Mulholland chalk drawing.
Qualifying her eclectic taste, Rusk says: ''I've got a very strong
idea of what I like. What I was going for with this room is a mix of
both the modern and antique because I love both but would never have
solely one or the other.''
So, nursing a bad cold and in between sips of coffee and cough
mixture, our ''curator'' talks me through some of her favourite pieces.
Pointing to the open box of antique jade beside her on the velvet mini
chais-longue, Rusk explains how she managed to acquire such beautiful
pieces for a bargain price.
''I was in Taiwan with my agent Sam Chen and he took me to this jade
market which is like the Barras, only it's absolutely massive with
hundreds of stalls,'' she recalls. ''Anyway, some pieces Taiwanese
people don't like to sell to foreigners because they don't want the jade
to leave the country for some kind of spiritual reason and therefore
price it completely out of the usual league.''
As a canny shopper Rusk was told to disappear by her companion Chen
and he bargained on her behalf which finally resulted in the exquisite
carved sea and mythical creatures in delicately coloured hues of blue,
green and orange ending up in a secluded Ayrshire home.
The oriental theme continues with the ornate Chinese vases and bulging
Buddha figurines that adorn the original eighteenth century black marble
mantelpiece together with the rest of the eastern collection that is
housed in the glass art-deco display cabinet.
Here is where a valuable ancient Chinese tea-set replete with
miniature cups and saucers rests alongside another box of jade pieces
and luminous green soap stone models of Chinese dragons. As for the
''anachronistic cabinet'' the ultra style-conscious Rusk initially had
major reservations. ''I always thought that display cabinets were the
sort of thing you used to laugh at your granny for having,'' she
chuckles. ''But I was collecting more and more stuff so I needed
somewhere to put it. So I thought oh, to hell with it, and got this.''
In complete contrast to these graceful Chinese pieces and bounding on
a few centuries in the style stakes is Rusk's favourite avant-garde
piece of art. By London-based sculptor Nigel Reid-Foster, this
intriguing rusty mesh of steel overlaid with chains emerges from a cream
coloured board and stands about six feet tall. ''I love the whole
simplicity of line in his,'' enthuses Rusk, before highlighting the tiny
biblical passages that have been wrapped around each chain. ''I find it
an incredible piece of work,'' and she adds laughing, ''it just looks
like part of the wall.''
It is to the credit of Rusk's clear eye that she has succeeded in
blending in numerous disparate objects displayed in the sitting room
without visitors ever feeling they are in the midst of any pseudo
antiques roadshow raggle-taggle of clashing cultures and centuries.
Given her own line of work it is not surprising when she reveals a
sideline hobby in advising friends on their home interiors. ''I adore
anything arty'', she laughs. ''So I suppose it all comes out in your
home. I still love hairdressing but when I stop enjoying it I'll get out
and do something else.''
''Who knows?'' she adds with a philosophical shrug. ''It could be
interior design.''
Watch and wait for Rita Rusk International could well be adding
another artistic feather to its cap before the decade is out.
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