FIVE STARS
Well, well – just when you’re beginning to wonder if the days of five-star reviews for Carol Kidd concerts are in the past, she turns in the performance of this reviewer’s jazz festival.
Thursday evening’s concert may only have been an hour long, and the singer and her pianist may have had to contend with an unacceptable amount of external noise, but it was an absolute delight from start to finish, with Kidd on top form as she powered through ten songs with a minimal amount of chat in between.
Reunited with David Newton, her pianist/MD in the early 1990s, Kidd revisited many favourite numbers from her earlier career, notably a rare outing for How Little We Know which featured the singer at her playful best, clearly enjoying herself whether she was getting a kick out of the cheekily sexy lyrics or bopping around on the stage during Newton’s elegantly swinging solo.
She also, undoubtedly, got a kick out of the effect her singing had on the sold-out Spiegeltent audience. There wasn’t a sound to be heard in the tent (outside was a different matter – yapping dogs, drinkers’ chatter and sirens were just some of the sounds that listeners had to blank out). Everyone was spellbound and rivetted, not least by Kidd’s ever-mesmerising way with a ballad. How Do You Keep the Music Playing was heart-wrenchingly lovely while The Ballad of the Sad Young Men was a masterclass in painting a vivid picture in song – and, with its line “All the news is bad again; kiss your dreams goodbye”, painfully poignant and apt.
Here’s listening to you, Kidd ..
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