Music
Madeleine Peyroux
City Halls, Glasgow
Alison Kerr
five stars
AFTER a decade’s absence from Glasgow, the American singer-guitarist Madeleine Peyroux made a triumphant come-back on Sunday, to the delight of an adoring audience which hung on her every last word and note. Accompanied by just guitar and bass, she performed songs from across her career, and although she has moved through the genres in the 13 years since her first major album, she has clearly taken fans with her on the journey – and she still infuses everything she sings with a bluesy, slightly tortured, soulfulness.
Sunday’s concert benefitted from the fact that the City Halls’ Grand Hall is half the size of Royal Concert Hall and the Usher Hall, where she has previously played, and it was therefore possible to create the sort of intimate atmosphere that complements and enhances her confessional style.
Now in her forties, Peyroux appears much more relaxed onstage, quietly holding court from her chair beside, rather than in front of, her band-mates. Indeed, Sunday’s gig revealed her playful, humorous side as she mocked Donald Trump, pretending that he was on the other end of the phone as she sang Kansas Joe McCoy’s Hello Babe, with the memorable line “you ain’t gonna worry my life no more”, and wisecracking “I ain’t got no healthcare either” during a gorgeous, swinging version of I Ain’t Got Nobody, one of several numbers which featured lovely backing vocals from Jon Herington (guitar) and Barak Mori (bass).
Other stand-outs included Antonio Carlos Jobim’s Agua de Beber (what a treat to hear Peyroux do bossa!), Randy Newman’s Guilty – one of the “drinking songs” dedicated to Peyroux’s father – and J’ai deux amours, whose line “mon coeur est ravi” (“my heart is ravished”) seemed to sum up the Sunday night experience.
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