TWIN ATLANTIC
TRANSPARENCY
Now down to a duo, Glaswegians Twin Atlantic release the lockdown album they "made by mistake", and it is very different from their familiar rock music with big pop choruses.
Recorded remotely last spring after 10th anniversary gigs for their breakthrough album Free were postponed, they will now be in May, Transparency is lo-fi with prominent synths and sampled beats.
Opener Keep Your Head Up, with Sam McTrusty singing "I've got your back so, I'll be here for you", is a gentle piano ballad, about male friendship during the strains of the pandemic, with final track Instigator reprising the sound.
But One Man Party and Get Famous bring something else entirely, all frantic beats and sleazy synths, with McTrusty half rapping the lyrics, the latter about influencers' desperation for clicks and likes.
Haunt is a synth ballad and then Twin Atlantic start channelling previously unheard influences ranging from Prince to 80s duo Hall & Oates, on Dance Like Your Mother, Dirty and Bang On The Gong.
How much of Transparency makes it on to the setlist when they return to gigging will be interesting, as will whether the next album will return to Twin Atlantic's signature sound.
But for now this is a band tearing up their own rule book and starting afresh, making for an unexpected and invigorating start to 2022.
7/10
Matthew George
NAS
MAGIC
Nas has released another album, his third produced by Hit-Boy, continuing an exciting partnership that earned him his first Grammy award in 2020.
The 90s rapper has been in his element for the past three years and it felt like he had achieved his peak in August with King's Disease II - his most celebrated album since 2012's Life Is Good.
But just four months later, landing unexpectedly on Christmas Eve, the quality of his latest project Magic rivals his three decades of work.
While the King's Disease series felt grand, the mood is much darker on Magic.
The Queens rapper kicks off with one of the best tracks on the album, Speechless, before turning ominous on Meet Joe Black, The Truth and album closer Dedication.
There is only one collaboration on the album, with ASAP Rocky and DJ Premier appearing on the track Wave Gods, which has a classic feel and timeless sound.
Hollywood Gangsta and Wu For The Children are tracks that invoke nostalgia, appropriate for a 48-year-old who is 15 albums deep.
In Ugly, he raps that this transitional album is to "feed the buzz", suggesting to fans that King's Disease III is on the way.
Who knows where Nas will take us next?
9/10
Ellie Iorizzo
DAVID BOWIE
TOY:BOX
This expanded version of Bowie's "lost" album provides yet another reminder of how far ahead of his time the late singer consistently was.
Recorded with his Glastonbury 2000 band, Earl Slick, Gail Ann Dorsey et al, shortly after that famous performance, it imbues songs originating in the 60s and early 70s with the same triumphant contemporary energy.
What is more, Bowie originally intended it as a surprise album drop, some years before such a strategy became feasible and widespread.
Toy:Box emerges days after a new deal selling his back catalogue to Warner Chappell Music and a day before what would have been his 75th birthday.
Hole In The Ground and single You've Got A Way Of Leaving stand out but the most impressive feat may be the closing title track, which repurposes elements of opener I Dig Everything into a completely new song to bookend a set which is a worthy entry into the Bowie canon.
The box set also includes a disc of "alternatives and extras", which dials up the rock'n'roll swagger, and one of "Unplugged and Somewhat Slightly Electric" versions, as well as a terrifying cover picture.
8/10
Tom White
DEERHOOF
DEVIL KIDS
Deerhoof have released nearly 20 albums since forming in mid-90s San Francisco, ensuring their legacy will be one of relentless experimentalism.
Recorded in November, Devil Kids is their latest live album and captures one of their first performances together after being separated by the pandemic.
Drummer and founding member Greg Saunier describes it aptly.
"When my friends asked if playing with band again was like riding a bike, I had to say no. We changed over two years. We played looser and got along nicer."
This is a career-spanning set including songs from recent albums recorded during quarantine, such as the thrilling Actually, You Can.
Fans of the band will enjoy the intimacy of these recordings.
They were made in the "comically cramped" basement of guitarist Ed Rodriguez's house and brief snippets of laughter and conversation add pleasing colour to proceedings.
Listeners may have retreated to lighter sounds like pop and disco during the pandemic but Deerhoof have remained steadfast in their weirdness, and this is a fine document of that.
8/10
Alex Green
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