The rags-to-riches story of eight men from Port Isaac in Cornwall, who signed a record deal in 2010 and became the first traditional folk act to land a top 10 album in the UK charts, translated sweetly into the fish-out-of-water drama comedy Fisherman’s Friends.

Meg Leonard and Nick Moorcroft make their directorial debut with a life-affirming sequel that draws inspiration from the frenetic 14-month period between the release of the LP and the group’s 2011 performance on the Glastonbury Festival’s Pyramid Stage at Worthy Farm on the same Sunday line-up as Beyonce.

The script takes bass notes of fact and adds rousing choruses of fanciful melodrama and romance including a debut acting role for Irish singer-songwriter Imelda May as a spunky love interest for one swarthy sea shanty singer.

It’s heart-warming, feelgood entertainment, filled and crimped to the same wholesome design as its predecessor, including a daring rescue worthy of an episode of Lassie and a moving cliffside rendition of Harry Glasson’s anthem Cornwall My Home.

The underdog storyline is writ large from the moment a London record label head honcho (Ramon Tikaram) dismisses the band as Moby Dick And The Whalers and supports the promotion of an airhead pop diva because “success is measured in record sales not brain cells”. Inevitably, he chokes on those words. The nine remaining members of the Fisherman’s Friends embark on a whirlwind UK tour.

Lead singer Jim (James Purefoy) hasn’t processed the death of his father Jago (David Hayman) and he seeks emotional support in a whisky flask to the dismay of A&R man Gareth (Joshua McGuire). The “buoy band” returns to Port Isaac in sombre spirits.

When the record label’s managing director Leah Jordan (Jade Anouka) broaches the thorny issue of a new singer to replace Jago, Jim vociferously protests.

“When father died, the band died with him,” he growls, picking fights with fellow members Leadville (Dave Johns) and Rowan (Sam Swainsbury) after farmer Morgan (Richard Harrington) successfully auditions to join the ranks.

Disharmony crescendos in front of the media with Jim drunk and disorderly in charge of a microphone at the Minack open-air theatre in Penzance.

Perhaps visiting songbird Aubrey Flynn (May), who has embraced sobriety after a hellraising past, can shepherd lost soul Jim back from the brink of self-destruction.

Fisherman’s Friends: One And All has been composed to warm the cockles of our emotionally manipulated hearts and it’s hard to resist the siren song of Leonard and Moorcroft’s picture.

Cinematographer Toby Moore showcases Cornwall’s natural beauty in every conceivable light. Pacing is gentle and the only point of contention is an on-screen discussion about scone-layering etiquette. Battle lines are drawn in jam then cream ... or vice versa.



In 2009, Jaume Collet-Serra directed the psychological horror Orphan about a childless couple who adopt a Russian girl called Esther (Isabelle Fuhrman) to heal the pain of a recent miscarriage.

The grieving couple are unaware of the child’s terrifying secret: Esther is actually a thirtysomething woman named Leena Klammer with a rare growth condition, who will do anything – including commit murder – to avoid a return to the psychiatric facility that once housed her.

Orphan concluded with Esther sinking to her death in an ice-encrusted pond. The carnage begins in a prequel directed by William Brent Bell and written by David Coggeshall, which explores Leena’s first forays outside of secure confinement.

She hides in plain sight by assuming the identity of Esther Albright, the missing child of Tricia Albright (Julia Stiles) and husband Allen (Rossif Sutherland), one of America’s wealthiest couples.

It has been four years since the real Esther vanished and the Albrights are warned to expect changes in their little girl. At first, they welcome Esther into their home and she acclimatises to a life of privilege. However, inconsistencies in Esther’s recollections threaten to expose her dark deception and she begins a murderous rampage to destroy strong family ties.



The latest instalment of the long-running Dragon Ball anime series arrives more than three years after Dragon Ball Super: Broly.

Goku (voiced by Masako Nozawa) and Vegeta (Ryo Horikawa) continue to train hard for battle under the guidance of teacher Whis (Masakazu Morita). Meanwhile, Magenta joins forces with Dr Hedo to revitalise the Red Ribbon Army and seek revenge on heroes Gohan and Piccolo using two androids.

This diabolical plan culminates in the creation of Cell Max, an improved version of the Cell weapon designed by Dr Hedo.

Dragon Ball Super: Super Hero is released in the UK as the original Japanese version with subtitles.