The Nightingales, Mind Over Matter (Louder Than War)

With a trading history dating back 35 years, when they metamorphosed from proto-punks The Prefects, and a 21st century rebirth now prolifically a decade old, Robert Lloyd's group is well worth the documentary suggested, and spoofed, on track 10 of their new album, entitled Gales Doc.

Over a beguilingly formulaic backing, Lloyd arrogantly asserts that his combo is "more varied in their approach to music-making" than their peers, and you would be foolish to argue. Now working out of Faust's studio in Germany and including Andreas Schmid from Faust on bass, ex Violet Violet drummer Fliss Kitson and then wonderfully fluid and funky James Smith on guitar, The Nightingales can channel the Magic Band on the opening For Goodness Sake, become the Stax house session band on track two, The Only Son, and then provide a super club jazzy groove behind a Barry White drawl on Ripe Old Age before the space-dub instrumental spiced with free improv trombone and field recordings of birdsong that is For Different Folks.

Then there are Lloyd's marvellous lyrics: Taffy Come Home, troops "through leeks and daffodils" and quotes Sweet's Blockbuster, and Great British Exports brackets Midsomer Murders and Mumford and Sons with other British colonial misadventures. Brilliant stuff.

Keith Bruce