When Puck comes onstage in a woolly hat, shorts, Wellington boots and a football scarf, looking somewhere between a 1970s trainspotter and the ghost of Tom Weir, it sets the tone for the Sell A Door company's bright, youthful take on Shakespeare's most ubiquitous rom-com.
When Puck comes onstage in a woolly hat, shorts, Wellington boots and a football scarf, looking somewhere between a 1970s trainspotter and the ghost of Tom Weir, it sets the tone for the Sell A Door company's bright, youthful take on Shakespeare's most ubiquitous rom-com.
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Neil Cooper
When he picks up the transistor radio that sits at the front of the stage, tuning the dial to assorted weather-based bulletins, he's also tuning in on a world where the sun always shines.
With a cast of just nine doubling up parts with abandon, Bryn Holding's touring production shows off that world via a network of mobile doors that moves the action from Theseus and Hippolyta's formal courtship to the reckless romp of the young lovers once they get lost in the woods.
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