The audience were left in the dark in this first of four performance-based pieces that make up the bulk of Fuelfest, the week-long residency at Tramway by former Bank of Scotland Herald Angel winners Fuel.
The audience were left in the dark in this first of four performance-based pieces that make up the bulk of Fuelfest, the week-long residency at Tramway by former Bank of Scotland Herald Angel winners Fuel.
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neil cooper
Yet director David Rosenberg's immersive experience is delivered with such intensity that his production is as enlightening on the possibilities of sound as it is on group dynamics and mass manipulation.
Once we're ushered into a room with two banks of chairs facing each other with a harshly lit gulf between, we're lulled into a false sense of security by a man who calls himself Michael, but admits it's not his real name. We've already been given headphones and had our names noted down, and now Michael talks us through proceedings as if we're regular attendees of some unnamed group therapy session.
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