Even if you don't like hip-hop, there's every chance that this show will make you smile, groove along in your seat and even stand up and join in the genial curtain-call routine that has the theatre circle going seismic: it actually shakes with the enthusiastic foot-stomping.
The reason for this feel-good factor, and the frequent squeals of delight from the younger elements in the house? It has to be the creative nous of director/writer/choreographer and lyricist Kate Prince, the dynamic force behind the award-winning ZooNation company, whose last mega-hit, the Bank of Scotland Herald Angel-winning Into the Hoods, was a hotter-than-hot ticket on the Fringe eight years ago.
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