Instead, we're taken inside a process where the making of music creates a physicality beyond sound and spills over into movement or – as in the case of The Intoxicating Rose Garden – calligraphy, animation and film. Here, the initial inspiration was poetry. The words of 14th-century Persian poet Hafez were morphed into delicately ornate calligraphic forms by artist/translator Jila Peacock. Her "shape poems" prompted lyrical responses from composer Sally Beamish, and her music – for flute, harp, trumpet and cello – has now become the live springboard for a richly textured performance that intoxicates with its juxtapositions and complexities.