Phantom celebrates its 25th year with an update of the Andrew Lloyd Webber staple.
What could they do differently? And does new ever mean better?
There are two major improvements. The input of Matthew Bourne to Scott Ambler's choreography adds another artistic dimension; there are some beautiful Degas-esque tableaux with the ballet chorus. The highly sexed tango of The Point of No Return is another vampish development, one to keep the Twilight generation tense with anticipation.
We moderate all comments on HeraldScotland on either a pre-moderated or post-moderated basis. If you're a relatively new user then your comments will be reviewed before publication and if we know you well then your comments will be subject to moderation only if other users or the moderators believe you've broken the rules, which are available here.
Moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours. Please be patient if your posts are not approved instantly.
