Pantomime

Snow White and the Seven Dwarfs

King’s, Edinburgh

Mary Brennan

FOUR STARS

Big, glossy, an all-out success – and that’s only Grant Stott in a frock as Snow White’s wicked step-mother, Queen Sadista. She’s out to steal everything from Snow White – her crown, her Prince, even her life – but will the cross-dressed baddie also steal the thunder from the King’s perennial Dame, Allan Stewart? Stewart’s Nanny May may have a smiley disposition, but when it comes to the snash and grabbing of laughs, there’s no giving of any ground. Actually, there’s no need for the gang of three – with Andy Gray’s Hector an essential part of this entertainingly eternal triangle – to play any upstaging gambits that aren’t already in the script: there’s plenty of comedy mileage for all.

However, mischievous word-play – who will trip up on the ever faster "smart fellow" exchanges? – and the drolly crafted interaction between Stewart and Gray that goes beyond words, with looks that are killingly funny, aren’t the only crowd-pleasing elements in the show. Sadista’s magic mirror that floats up from the orchestra is just one of the special effects that have all ages gasping in amazed delight. I won’t spoil the other surprises but they are, like the whole look of the production, spectacular. What of the dwarfs? A cunning costuming device has seven tall guys, led by Paul-James Corrigan’s gallus Jambo, on their knees, toddling to the aid of Frances Mayli McCann’s Snow White and her Prince (Greg Barrowman). The plot becomes more of a song and dance than a Grimm drama, but in panto terms it works a treat. Stott will get unfrocked in time for next year’s Jack and the Beanstalk.