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There is a pressing need for a solid grounding in all types of church music

AS a chorister of long standing I hesitate to intrude on the debate on your Letters Pages (November 27, 29, 30, and December 1, 3, 4, & 5) but there seems to have been a palpable hush from the musical and theological hierarchy of the Church of Scotland which I find strange.

I was one of those who sang the Dream of Gerontius in the Bute Hall. This was a mainly secular amateur choir and a secular orchestra of mixed professionals and amateurs doing a performance to honour an eminent churchman and to add some encouragement to Joan Dillon's enterprise.

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