Author Michael Ondaatje has been named as one of 13 authors on this year’s Man Booker Prize long list, just weeks after he took home the Golden Man Booker, a one-off accolade to mark the literary prize’s 50th anniversary.
His seventh novel, Warlight, is on the list which features four debut novels and four authors under the age of 30.
The debut novels are Scottish poet Robin Robertson’s The Long Take, which is a novel in verse, Sophie Mackintosh’s The Water Cure and Guy Gunaratne’s In Our Mad And Furious City.
The fourth debut novel is Daisy Johnson’s Everything Under, with Johnson and another author, Sally Rooney (Normal People), tying as the youngest authors on the list, at 27.
Six of the 13 authors are from the UK, three from the United States and two each from Ireland and Canada respectively.
The long list also boasts a majority of female authors, as seven out of the 13 authors are women.
Cartoonist Nick Drnaso’s Sabrina is the first graphic novel to be on a Man Booker Prize longlist.
Author Esi Edugyan, longlisted for her latest novel Washington Black, was previously shortlisted for the prestigious literary prize, while Irish author Donal Ryan and American author Richard Powers have both previously made the long list.
Northern Irish author Anna Burns is longlisted this year with her novel Milkman.
Ondaatje’s 1992 novel, The English Patient, was named the best work of fiction from the last five decades of the Man Booker Prize at the Golden Man Booker ceremony in early July this year.
The English Patient shared the 1992 Man Booker Prize with Barry Unsworth’s historical novel, Sacred Hunger.
The Man Booker Prize for fiction was first awarded in 1969 and this year for the first time the list includes novels published in Ireland.
Previously only entries written in English and published by a UK publisher were eligible. In 2014 the prize was opened up to US writers.
Philosopher and novelist, Kwame Anthony Appiah, the chair of this year’s judges, said: “Perhaps unsurprisingly, given the times, there were many dystopian fictions on our bookshelf – and many novels we found inspirational as well as disturbing.
“Some of those we have chosen for this longlist feel urgent and topical, others might have been admired and enjoyed in any year.
“All of these books – which take in slavery, ecology, missing persons, inner-city violence, young love, prisons, trauma, race – capture something about a world on the brink.
“Among their many remarkable qualities is a willingness to take risks with form. And we were struck, overall, by their disruptive power: these novels disrupted the way we thought about things we knew about, and made us think about things we didn’t know about.
“Still, despite what they have in common, every one of these books is wildly distinctive.
“It’s been an exhilarating journey so far and we’re looking forward to reading them again. But now we’ll have thousands and thousands of people reading along with us.”
The rest of the judging panel is comprised of Scottish crime writer Val McDermid, cultural critic Leo Robson, writer and critic Jacqueline Rose and graphic novelist Leanne Shapton.
Organisers said this year’s 171 submissions – comprising of titles published in the UK and Ireland between 1 October 2017 and 30 September 2018 – were the highest number submitted in the literary prize’s 50-year history.
The shortlist of six books will be announced on September 20, and the winner of the £50,000 prize will be announced at a gala event on October 16.
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules here