The National Galleries of Scotland has announced the acquisition of Encounter, by world-renowned Surrealist artist Remedios Varo.
Extremely rare and sought-after, it is the first painting by Varo to enter a public collection in Europe.
The work was acquired in time to mark the centenary of the publication in Paris of André Breton’s Manifesto of Surrealism in 1924, which effectively launched the movement.
Varo only completed about 100 paintings in her lifetime, with most in public collections in Mexico. Only able to dedicate herself fully to creating art in the last decade of her life, Encounter was produced in 1959, at the height of Varo’s career.
The concept of the encounter – especially the chance encounter – was a subject favoured by the Surrealists for its mysterious potential. In this striking composition, a seated figure carefully lifts the lid on a tiny casket to find her own eyes staring back at her. Several similar boxes sit on the shelves in the background, suggesting that there are more “selves” to be discovered. Many of the figures that Varo painted resemble the artist herself, and this work is believed to be a self-portrait.
READ MORE: Modern art master's work on display for 150th anniversary
Varo said of the work: “This poor woman, full of curiosity and expectation as she opened the little coffer, encounters her own self; in the background, on the shelves, there are more little coffers, and who knows whether on opening them she will find something new.”
Born in Girona, Catalonia, in north-east Spain, Remedios Varo was a Surrealist painter and poet. Her father, an engineer, recognised her artistic talent from a young age and encouraged her to copy his technical drawings, which would influence her compositions for the rest of her life. She was one of the first female students to attend the Academia de San Fernando in Madrid, where she enrolled at the age of 15, and later received her diploma as an art teacher.
In 1935, after moving to Paris, Varo encountered artists engaging with Surrealist concepts, and was later introduced to the poet and founder of the Surrealist movement, André Breton. After fleeing Nazi-occupied France in 1941, Varo settled in Mexico, where she was one of a small but important group of Surrealist poets, painters and photographers. These artists include Kati Horna and Leonora Carrington, with whom she forged a creative alliance but also an enduring, life-long friendship.
Using a combination of chance and planned techniques, Varo produced work that was influenced by science and the occult in equal measure. The resulting images are as mysterious as they are technically brilliant, often depicting enchanted domestic scenes and strange encounters with otherworldly beings. Playing with the magical and spiritual potential of interior spaces, Varo sought power in ordinary rooms — in dusty corridors, and creaking doorways — transforming them into fantasy realms that overflow with possibility.
Simon Groom, Director of Modern and Contemporary Art at the National Galleries of Scotland, said: “We’re thrilled to have acquired this incredibly rare and important painting by Remedios Varo. Her career as a full-time artist lasted little more than a decade. She worked slowly and meticulously, completing only about a hundred paintings, many of which are now in museum collections in Mexico and the USA. They are breathtaking gems which one seldom sees outside books.
"There’s not a single painting by her in a public collection outside the Americas. Or rather that was the case until now. Moreover, Encounter is a key work in her oeuvre, a self-portrait which deals with self-discovery and identity. It cements the National Galleries of Scotland’s collection of Surrealist art as one of the very finest in the world.”
Jenny Waldman, Director, Art Fund, said: “Artist Remedios Varo’s haunting painting, ‘Encounter’ into the Scottish National Galleries’ collection will captivate visitors from Scotland and across the UK. This painting is a key addition to Scottish National Galleries’ growing collection of major works by women artists. I’m delighted that Art Fund has been able to support this important Surrealist work to enter the permanent collection, thanks to our generous donors and National Art Pass members.”
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules here