There’s plenty to glean from the personal taste politicians present to the public. But why is their taste so awful?
The era of the parasocial relationship is in full swing and art has failed to escape its grasp. Can they ever be separated again?
MSPs will be examining the situation, placing an unseen level of open scrutiny on Creative Scotland’s funding decisions and altering how the public body makes its decisions in the future.
No longer were splatter fests confined to the dark, seedy rooms of grindhouse theatres and illicit cult film-watching spots. Now blood and guts were directly in the living room, haunting the family VCR.
Film crashed into the 20th century, quickly establishing itself as a perfect vehicle for influence. The first propaganda film was probably already in production as the public recoiled at the Lumière brothers train that was about to fly out of the screen and crush them.
It’s not a groundbreaking statement to say that the Academy Awards has never been about excellence in film.
The documentary, making its UK premiere at Glasgow Film Festival, is a brisk and punch-heavy 90 minutes, mainly centring itself on Capra as a reflection of America in the New Deal era
It used to be that mainstream movies were made because people wanted to see them.
With 95 premieres and a myriad of screenings celebrating and exploring every nook and cranny of the film world, we had to choose our highlights.
Will AI be the nail in the coffin for the filmmaker? Is the creative just some abstract concept we’ve stubbornly held onto through the ages, ready to be erased in the grand sweep of new generative technologies?
