IN this somewhat oblique love poem, Norman MacCaig’s voice is, as ever, unmistakable and original. The piece, dated 1969, comes from the admirable posthumous collection of MacCaig’s work, edited by his son Ewen and published by Polygon (hardback, 2005, £25).
BOOKWORM
I open the second volume
of a rose
and find it says, word for word,
the same as the first one.
The waves of the sea
annoy me, they bore me;
why aren’t they divided
in paragraphs?
I look at the night
and make nothing of it –
those black pages
with no print.
But I love the gothic script
of pinetrees and
on the pond the light’s
fancy italics.
And the cherry tree’s petals –
they make
a sweet lyric, I appreciate
their dying fall.
But it’s strange, girl, how I come back
from the library of everything
to stare and stare at
the closed book of you.
When will you open to me
and show me the meaning of all
the hard words
in the lexicon of love?
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